1.Space Oddity

                                                            
I had a creative block for a long time, thinking too much and often not being able to act. I wanted to be like a kid and not overthink it, and paint the paper all kinds of colors, cut it randomly into all kinds of shapes and then reassemble it into weird characters.

This process of decomposition and rearrangement makes me think of deconstruction, the decomposition of an object from different angles, so as to reveal new meanings and values of ordinary things or complexes.

A sense of order and form give rise to these monsters, and I define them as a process of finding physical and spiritual relationships. I designed a stage for them, and this is what I give new meaning to.

2.THE ENCOUNTER

 

                                                      

I came to London, new to the unfamiliar environment, full of sensitivity and curiosity about everything. On the bus, I smelled marijuana, and the smell stuck with me.

I want to try to use dynamic vision to express sensory sensations, from the initial physical reaction of dizziness, sweating, and rapid heart rate, to the psychological reaction of smelling rotten fish and the illusion of time, and finally to hallucinations.

The lines that appear several times in the video represent the strings in my heart, from regular swaying to messy, finally tense, and then relaxed and released.

3.PRAY

                                                      

This story is inspired by my experience of contact with religions as a child. In China, an environment of religions integration, I was exposed to several different religions in different stages of my upbringing. These experiences have brought different influences and feelings to me.